Balance and Tension – a visit to the Glynn Vivian.

Last year I managed a rare trip to a gallery (a snatched moment between lockdowns!) primarily to see the fabulous Pansy – Roy Efrat and Catrin Webster’s collaborative exhibition in the Glynn Vivian Gallery, Swansea. While there I was chuffed to spot an old piece of mine displayed in the Swansea Collection gallery.

This is a very old piece and very different from my more recent work. So much so that I have been pondering these differences in order to find the parallels and convergences as well as the more obvious divergences. The linkages are largely based on balance and tension. This early form, above, is finely balanced, a vessel poised to the point of creating tension through a sense of its precariousness. The geometry of the fine lines of inlaid stained clay reiterating that sense of a poised moment in time. 

In contrast this more recent piece, made during my Masters course at UWTSD Swansea College of Art, eschews the clean lines of form and surface pattern and texture. It is no longer even a vessel, a container, in the traditional sense. But still there is that same wrestling with balance and tension, only now that poise is gone; the piece is actually beginning to tip and is in fact balancing, precariously, on warped and layered clay walls. The surface pattern and texture, created by imprinting the clay with plastic mesh, contains areas where the mesh is bunching up and areas of space where the mesh is stretched or torn echoing the warped and torn clay walls.

MA – Final Show

MA exhibition
Path

It’s been a very long time since I wrote a blog post! In autumn 2017 I began an MA in Fine Art – Contemporary Dialogues at UWTSD Swansea. I wanted to do this particular course as I liked the crossover and openness between different practices.

This will be the start of some updates and as usual I’m doing things out of sync by starting with my final show before going back to the beginning, more or less, of the journey of the MA.

Most of my work has been based on time – both linear and cyclical, chance, narrative and materiality. My final show From Path to Poultice comprised an installation of raw clay, logs of wood and other natural materials and a video piece that was made over the space of a year. Path was a repetitive journey along the garden path to record the changes in smashed clay over a period of a year or more. The repetitive nature of the work became ritual and as time went on I made more ritualistic pieces such as Poultice in response to this.

You can watch the Path video in full here.

Poultice MA installation
Poultice

MA Installation/exhibition
From Path to Poultice